'The Island makes other theatrical productions seem like fluffy, farcical entertainment. This play will move, unseat, and transform you. Director Peter DeLaurier said it best: 'This play is a hymn to the power of theater.' –Phawker.com
'The [Lantern], which usually does well by the South African playwright, outdoes itself in The Island. Frank X in the role of John and U.R. as the reluctant Winston exceed their customary virtuosity. It takes a while to figure out what Sophocles is doing in this South African prison, but we get there – and when you do, it's wonderful. The Island honors these men whose principles have put them behind bars, and whose lives could be our lives in a different time and place. The Island is tough and tragic and a very funny piece of theater. Peter DeLaurier's direction shows the power of his own fine actors' timing. Janet Embree's lighting heightens 90 powerful minutes of theater.' –WRTI 90.1-FM
'Lantern's production of The Island is strong. The first half of The Island belongs to John as the interpreter and instigator of events. Frank X provides a passionate and nuanced character study, and then a terrifying, ingratiating, utterly political Creon. The second half belongs to Winston who narrates much of their backstory right up until they lost their freedom. After much reluctance, he plays a winsome and defiant Antigone. U.R. lets us see, at the very moment his character suddenly sees it, the damage done by years in prison.' –The Philadelphia Inquirer
'Frank X and the lyrical U.R. make poignant partners, easily ranging from prickly dudgeon and heart-stopping empathy to humor. DeLaurier's direction lingers with a sure hand over many of the play's most emotionally and physically demanding moments, building to a final scene of triumphant power.' –Broad Street Review
'The Island is one intense theatrical experience. The Island is a powerful story, and Frank X and U.R. are marvelous as they chart the subtle changes that these characters go through to make their stand.' –Talkin' Broadway
'The piece is carried by outstanding performances by Frank X, who is in my reckoning probably the best actor on the Philadelphia stage, and his excellent costar U.R. As I heard one audience member say, the performances were like instruction in how to act: nuanced and powerful.' –STAGE Magazine

Athol Fugard, (Athol Harold Lannigan Fugard) is SouthAfrican great dramatist, actor, and director who became worldwide known for his incisive and cynical analyses of South African society during the apartheid period. The Play Master Harold and the Boys is Athol Fugard's.
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Statements, Athol Fugard, John Kani, Winston Ntshona, 1974, Drama, 124 pages. 'Sizwe Bansi Is Dead reveals the perversities of human identity in a country where a man is equal to his passbook. The Island celebrates the strength of man's connection to man. Betrayal, Harold Pinter, 1980, Drama, 41 pages. A very funny and yet powerful comedy/drama.
The Island (1973) Athol Fugard A Quick Rundown of The Island - The Island is a Fugard play that resorts to the Classics to protest Apartheid. It takes place in four scenes, opening with a lengthy mimed sequence in which John and Winston, two cell mates in prison on Robben Island, carry out one of the totally pointless and exhausting tasks.

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Mame32 games free. download full. Browse and Read Athol Fugard The Island Script Title Type Bring A Friend Kings Island PDF a childs history of noodle island PDF a killing on catalina an island mystery PDF 9th grade study island answer key PDF 8th grade study island answers PDF. Super mario 63 mac download. SIZWE BANZI IS DEAD. By Athol Fugard, John Kani, and Winston Ntshona.